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Perspective all of these ugly things that are staring us in the face. And, eight years later, it's really interesting that now, here we areĪgain, not seeing what's happening in our country, not wanting to put into And that lineĬame to me because it felt so indicative of what was going on in my life as Up, up, up that was going on in our country at the time, all of this excessiveīuilding, and not really dealing with what was in front of us.

Remember thinking of it as an analogy for my transition-this idea of building Heavy and such an eyesore, and not what I identified with peace and refuge. Remember looking up and seeing all of these cranes in the sky. We weren't out there wilin' out and partying. You recorded a lot there as well, and I think we experienced Miami as a There was a new condo going up every tenįeet. That time, when there was a real estate boom in America, and developers wereĭeveloping all of this new property. I used to write and record a lot in Miami during Matter what you are doing to fight through the thing that is holding you back, I think every woman in her twenties has been there-where it feels like no I was working through a lot of challengesĪt every angle of my life, and a lot of self-doubt, a lot of pity-partying. So I really had to take a look at myself, outside ofīeing a mother and a wife, and internalize all of these emotions that I hadīeen feeling through that transition. You see the world through the lens of how you identify and have been Sweethearts, and so much of your identity in junior high is built on who you're Out of my relationship with Julez's father. It's the only song on the album that I wrote independently of the record, and 'Cranes in the Sky' is actually a song that I wrote eight years ago.

Cranes in the sky acapella